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ESB Audio Since 1969

ESB Audio Since 1969

55 Years of Electroacoustic History The rise of ESB began in the late '60s, with loudspeaker models of craft and style, but with excellent build and sound quality. Quickly they established themselves in a market overwhelmingly dominated by American brands such as Acoustic Research and JBL. The first hurdle was to sell a product in an Italian market that was so in love with foreign brands. The first home loudspeaker built by ESB founder Vincenzo Biasella (at the time, ESB did not yet exist) was the 240L. This impressive speaker, with nine drivers including a 45 cm diameter woofer, was co-designed with an architect who had designed Biasella’s house. The resulting speaker sounded so beautiful that others who heard it ordered their own sets. These speakers were superb with Jazz, exceeding the sound quality of famous American brands, but they also sounded excellent with classical music. Vincenzo Biasella realized he would have to build a lot of speakers. He wrote “ESB” on the back of his speakers at the connection terminals. Thus was born the ESB brand. Thanks to the dedication of Vincenzo Biasella (then the "Boss", but also the engineer) and the contribution of engineer Ferrer, ESB took a major step in advancing the art of loudspeaker design. With the purchase of a set of Bruel & Kjaer tools (which at that time cost more than a house), and the building of an anechoic chamber, ESB reached, within a few years, an industrial dimension. It was the peak of the Italian post-war industrial boom, and everything was booming. It was in these years (the 1970's) that ESB built what has become a legend, and began the conquest of a market that had been dominated almost exclusively by American and British speakers. ESB had broken the wall of foreign domination. Other Italian audio manufacturers such as RCF (Sonus Faber), and many more were soon born. This was the beginning of the Italian age of Hi-Fi. First were speakers, then came Italian amplifiers and other audio electronics. During those years, ESB became a prominent advertiser in audio magazines (Sound and Stereoplay being the first, with Audiovision, AudioReview and Discoteca arriving later). It was through these publications that ESB became acquainted with audio engineer Renato Giussani, who often collaborated with these magazines. Giussani would join the ESB engineering staff at the end of 1979, assuming the role of chief engineer, alongside the founder, Vincenzo Biasella. Together, they would develop the 7 Series, which built on the philosophy that had already generated the UMA (Unità Medio Alti) aimed at optimizing the listening point… something no one had focused on before then.
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